1/11/2024 0 Comments Humankind a hopeful historyHumankind is masterful in its grasp of history, both ancient and modern' - Susan Cain, author of Quiet 'Rutger Bregman's extraordinary new book is a revelation. 'One of the most powerful books I have read for a long time, and a book I have absolutely no hesitation about saying everyone needs to read, and that it will change your life if you do so' - Matthew Taylor, RSA 'This book must be read by as many people as possible - only when people change their view of human nature will they begin to believe in the possibility of building a better world' - Grace Blakeley The coronavirus crisis has made it blindingly obvious' - The Irish Times Even a few months ago, might have seemed, as Bregman claims, "a radical idea". People have started to talk about this book: perhaps the moment of this entirely positive, heartening message is about to come' - Alexander McCall Smith, The Scotsman 'Bregman's book is something of a beacon at the moment, when many are looking for values to profess in our traumatised and altered society. Bold, entertaining and uplifting' - Spectator 'Bregman argues convincingly that what we teach and report about ourselves, we become. 'The notion that we already have the capacity to radically improve the world is both an exhilarating and a daunting one' - The New Statesman I whizzed through Humankind's 480 pages, engrossed' - The Financial Times ' Humankind displays gift for synthesising libraries full of academic research into spellbinding reads. Bregman's book is a thrilling read and it represents a necessary correction' - The Times 'Filled with compelling tales of human goodness. It makes a welcome change to read such a sustained and enjoyable tribute to our better natures' - The Observer There's a great deal of reassuring human decency to be taken from this bold and thought-provoking book. 'Here, we visit the blitz, Lord of the Flies - both the novel and a very different real-life version - a Siberian fox farm, an infamous New York murder and a host of discredited psychological studies. If Bregman is right, this book might just make the world a kinder place' - The Telegraph A superb read - brisk, accessible and full of great stories' - The Sunday Times 'An optimistic historian sifts through the past in his mission to prove that mankind might not be so bad. Publisher: Bloomsbury Publishing PLC ISBN: 9781408898932 Number of pages: 496 Weight: 878 g Dimensions: 234 x 153 mm MEDIA REVIEWS It is time for a new view of human nature. In this major book, international-bestselling author Rutger Bregman takes some of the world's most famous studies and events and reframes them, providing a new perspective on the last 200,000 years of human history.įrom the real-life Lord of the Flies to the cooperation seen in the aftermath of the Blitz, the hidden flaws in the Stanford Prison Experiment to the true story of the Kitty Genovese murder, Bregman shows how believing in human kindness and altruism can be a new way to think - and act as the foundation for achieving true change in our society. By thinking the worst of others, we bring out the worst in our politics and economics too. The instinct to cooperate rather than compete, trust rather than distrust, has an evolutionary basis going right back to the beginning of Homo sapiens. Humankind makes a new argument: that it is realistic, as well as revolutionary, to assume that people are good. Human beings, we're taught, are by nature selfish and governed by self-interest. From Machiavelli to Hobbes, Freud to Pinker, the roots of this belief have sunk deep into Western thought. It drives the headlines that surround us and the laws that touch our lives. It's a belief that unites the left and right, psychologists and philosophers, writers and historians. From 'the folk hero of Davos', Fox News antagonist and author of the international bestseller Utopia for Realists comes a radical history of our innate capacity for kindness.
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AmpliTube®, TONEX®, AI Machine Modeling™, ToneNET™, SVX™, X-GEAR™, X-DRIVE™, X-SPACE™, X-TIME™, X-VIBE™, VIR™, DIM™, DSM™, VRM™, are trademarks or registered trademark property of IK Multimedia Production Srl. 1/11/2024 0 Comments Alternative app to dropsyncWhile you can keep connected computers updated using the application, it is also possible to sync systems via an external hard drive so you can save yourself the hassle of moving, copying, or dragging files from one drive to another.Īnd what’s more, you can synchronize data between multiple computers connected to a central server at the workplace and clone your entire system on a hard drive. Synk, a live file synchronizer meant for Mountain Lion-based Apple computers brings some sophisticated sync and backup features to the table. You can expect comprehensive and detailed error reporting too. 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SUPERHOTline Miami is an action game with a bird's eye perspective that combines the gameplay of two independently brilliant games: SUPERHOT and Hotline Miami. 1/11/2024 0 Comments Bonfire irest loveIn the film, Héloïse asks the far more worldly Marianne about music, which she dreams about, but has never heard. “Because every love story we know, we think about ‘Titanic’ we think about the music, we think about ‘Gone with the Wind’ we think about the music, we think about ‘E.T.’ we think about the music, and every love story has its own tune, ‘That’s our song.'” “Thinking about making a love story without music was really frightening,” Sciamma admitted. Subscribe via Apple Podcasts to the Filmmaker Toolkit Podcast In directing her leads, she would even count out the number of steps they would take toward one another, so as to control the tempo and pace. Sciamma knew that decision would force her to find the musicality in the rhythm of the scenes and movements of the actors. Prior to this scene, there is no music in the film. We wanted to convoke the imagery around witches.” It’s cold, so there’s a fire, and they might do drugs, you know, they fly. “In the meantime saying, ‘Well, you know, it’s just women gathering, living their friendship, exchanging knowledge, wise women, doctors, whatever, and, you know, drinking. “It was a way to also convoke the imagery witches,” said Sciamma. In addition to mirroring the rising of emotions that propel the transition, Sciamma also wanted the chanting and gathering around the fire to reference the 18th-century concept of witchcraft. The transition from putting out the fire on Héloïse’s dress is a fluid match cut to the lovers leading each other to their hidden spot on the beach where they will finally kiss. Sciamma described the scene as the film’s clear turning point. The scene that follows literally sets Marianne and Héloïse’s love aflame against an even larger scene of sorority. In the scene prior, we watch the three women relax together as they prepare a meal, drink wine, and debate Ovid’s version of the “Orpheus and Eurydice” myth. The barriers between artist, maiden, and their servant (Luàna Bajrami) break down. “It’s an adaptation of a sentence by Nietzsche, who says basically, ‘The higher we soar, the smaller we appear to those who cannot fly.'”Īs important as the love that develops between the two women is the backdrop that enables it: Héloïse’s mother (Valeria Golino), who is trying to marry off her daughter with the aid of Marianne’s portrait, has left. They’re saying, ‘fugere non possum,’ which means ‘they come fly,'” said Sciamma. In an effort to get a song that had the beats per minute, polyphonic, and polyrhythmic qualities she needed, Sciamma decided to write the lyrics herself. Oscar Voters Go International For Best Live Action Short Picks Oscars 2023: Best Visual Effects Predictions Rian Johnson on Solving the 'F*cking Nightmare' of Staging 'Glass Onion' I wanted just the voice and the clapping of women.”ĭamien Chazelle on Life Imitating Art Behind the Scenes of 'Babylon' It was all very instrumental, and I wanted no instruments. “But I wanted it to be kind of a trance, I wanted the BPMs to be very high, and didn’t find something. “I listened to a lot of old melodies from the time some of them we are still singing to our kids to bed,” said Sciamma. The song grows, clapping starts, and they begin to repeat a lyric. When she was a guest on IndieWire’s Filmmaker Toolkit podcast, director Céline Sciamma talked about how she looked for an 18th century song to adapt, but wasn’t able to find one that fit her needs. As the two soon-to-be-lovers exchange glances across the bonfire, a low, slow chant starts to rise as the rest of the women gather to sing. The moment comes just a little past the halfway mark of the two-hour “ Portrait of a Lady on Fire.” Marianne (Noémie Merlant) and Héloïse (Adèle Haenel) have yet to acknowledge their growing desire when they are brought to an evening gathering of the women who live on the isolated island in Brittany. 1/11/2024 0 Comments Kingdom new lands shrinesPilgrimage, they argue, is shaped by preconceptions and motivations, which animate devotional acts. Wanner, Lin, and Alatas sense the concentrating force of shrines, but they are also alert to how pilgrims redistribute and shift these powers through acts of imagination. The shrine’s gravity warps time and space, making its boundaries impossible to fix. They are repeatedly desecrated because they are touchpoints between different orders of being: human and divine present and ancestral local and transcendent. Shrines are enduring, they argue, and at risk. Heterodox rulers (and unbelievers, too) must contend with the immense capacity of the shrine – and the saint’s body within it – to connect and reorganize divergent forms of sovereignty. These powers attract, repel, heal, invigorate, and punish. Grant and Moin begin by considering the tremendous powers that accumulate in shrines. Without pre-empting other readings, we should highlight several lines of interpretation that seem especially promising. They are based on movement (from text to text) and arrival (in the space/time of shrines). The commentaries that follow are a model for thinking comparatively about what pilgrimage is and where it might take us. Comparative Studies in Society and History 57(4): 942-974. Ottoman Infrastructures of the Saudi Hydro-State: The Technopolitics of Pilgrimage and Potable Water in the Hijaz. Comparative Studies in Society and History 58(3): 607-635. The Poetics of Pilgrimage: Assembling Contemporary Indonesian Pilgrimage to Hadramawt, Yemen. Comparative Studies in Society and History 56(1): 131-154.Īlatas, Ismail Fajrie. Virtual Recentralization: Pilgrimage as Social Imaginary in the Demilitarized Islands between China and Taiwan. Comparative Studies in Society and History 62(1): 68-105. An Affective Atmosphere of Religiosity: Animated Places, Public Spaces, and the Politics of Attachment in Ukraine and Beyond. Comparative Studies in Society and History 57(2): 467-496. Sovereign Violence: Temple Destruction in India and Shrine Desecration in Iran and Central Asia. Comparative Studies in Society and History 53(3): 654-681. Shrines and Sovereigns: Life, Death, and Religion in Rural Azerbaijan. 1/11/2024 0 Comments Learn java for freeThis application is very useful for all type of learners.This application covers Java Basics, Full Java Tutorials, Java Programs,Java Quiz,Java Exercises,Java Glossary and most of the programming concepts of Java, which will be very useful for you to move further in java programming. 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Java is ranked the #1 programming language.Java is an open standard and publicly source code. The Java programming language is a statically typed language, which means that every variable and every expression has a type that is known at compile time. Java programs are more structured than C++, all functions and statements in java must reside within a class while C++ it allows function definitions and statements outside of classes. It was released in May 1995 as a core component of Sun Microsystems’ Java platform. Java was originally developed by James Gosling at Sun Microsystems. JAVA programming language: Java is a high-level, class-based, Object-oriented general-purpose programming language. 1/10/2024 0 Comments Graphene core shell structurePascal, Tod A Villaluenga, Irune Wujcik, Kevin H Devaux, Didier Jiang, Xi Wang, Dunyang Rita Balsara, Nitash Prendergast, David Liquid Sulfur Impregnation of Microporous Carbon Accelerated by Nanoscale Interfacial Effects. SO(2)-treated carbon maintained its fast uptake kinetics even after impregnation by 20% H(2)SO(4). AC treated with SO(2) at 700 Â☌ exhibited a much faster rate of Hg uptake attributed to sulfur functional groups enhancing adsorption kinetics. However, the bulk H(2)SO(4) phase lowered the AC pore volume and could block the access to the active surface sites and potentially hinder Hg uptake kinetics. Consequently, the presence of a bulk H(2)SO(4) phase within AC pores resulted in an orders of magnitude increase in Hg uptake capacity. Without O(2), S(VI) in H(2)SO(4) was able to oxidize Hg, thus making it soluble in H(2)SO(4). Upon oxidation, Hg was more readily soluble in the acid, greatly enhancing its uptake by acid-treated AC. In the absence of other strong oxidizers, oxygen was able to oxidize Hg. Hg uptake increased with acid amount and temperature exceeding 500 mg-Hg/g-AC after 3 days at 200 Â☌ with AC treated with 20% H(2)SO(4). H(2)SO(4) in AC substantially increased Hg uptake by absorption particularly in the presence of oxygen. This work addresses the discrepancy in the literature regarding the effects of sulfuric acid (H(2)SO(4)) on elemental Hg uptake by activated carbon (AC). Morris, Eric A Kirk, Donald W Jia, Charles Q Morita, Kazuki Roles of sulfuric acid in elemental mercury removal by activated carbon and sulfur-impregnated activated carbon. These findings indicate that both the presence of elemental sulfur on the adsorbent and a microporous structure are important properties for Thermal analyses and CS2extraction tests suggested that elemental sulfur was the main form of sulfur affecting the Hg0 adsorption capacity. Sulfur impregnated on the ACF that was treated at 400 ?C was in both elemental and organic forms. Such a result indicates that 400 ?C is potentially an optimal sulfur impregnation temperature for this ACF. The ACF sample treated with sulfur at 400 ?C had a surface area of only 94 m2/g compared to the raw ACF sample's surface area of 1971 m2/g, but at least 86% of this sample's surface area existed as micropores and it had the largest equilibrium Hg0adsorption capacities (2211-11343 ?g/g). In general, sulfur impregnation decreased surface area and increased equilibrium Hg0 adsorption capacity when compared to the raw ACF sample. Thermal analyses and mass spectrometry revealed that sulfur functional groups formed at higher impregnation temperatures were more thermally stable. As sulfur impregnation temperature increased, however, the relative amounts of elemental sulfur decreased with a concomitant increase in the amount of organic sulfur. Results from sulfur K-edge X-ray absorption near-edge structure (S-XANES) spectroscopy showed that sulfur impregnated on the ACF samples was in both elemental and organic forms. Total sulfur content of the sulfur impregnated ACF samples decreased with increasing impregnation temperatures from 250 and 500 ?C and then remained constant to 650 ?C. The resulting samples were saturated with respect to sulfur content. In this study, raw activated carbon fibers that are microporous (ACF-20) were impregnated with elemental sulfur between 250 and 650 ?C. Laboratory studies were conducted to determine the role of sulfur functional groups and micropore surface area of carbon-based adsorbents on the adsorption of Hg0 from simulated coal combustion flue gases. More importantly, the electrochemical characterization indicates a new stabilization mechanism of sulfur in carbon induced by heat treatment.Įffects of sulfur impregnation temperature on the properties and mercury adsorption capacities of activated carbon fibers (ACFs) The obtained sulfur-carbon tube cathodes demonstrate superior cyclability and Coulombic efficiency. In this study, sulfur-impregnated disordered carbon nanotubes are synthesized as cathode material for the lithium- sulfur battery. The commercialization of lithium- sulfur batteries is hindered by low cycle stability and low efficiency, which are induced by sulfur active material loss and polysulfide shuttle reaction through dissolution into electrolyte. Sulfur-impregnated disordered carbon nanotubes cathode for lithium- sulfur batteries. 1/10/2024 0 Comments Positive and negative spaceYou can use negative space to make images and shapes look more realistic and 3D.īy carefully using white space around (or even within) an image, it will look more true to life. That’s why negative space paintings are so powerful and eye-catching. So, it will draw in viewers and make them look for longer. There’s less to distract from the image and its meaning. With less going on in the artwork, it will be much more striking. But it can still carry a strong message to the audience. As mentioned above, when you have more space around it, it’s easier to focus on it.īut if you have too many details crammed into a piece of art, it’s not as powerful.Ī balanced artwork with lots of negative space also feels calmer. It’s the negative space that allows your subject to breathe. Negative space creates that fundamental balance in your composition. And as a result, it’s easier to convey the desired message through your art. In contrast, when you have more negative space around your subject.Īny onlooker will know where to look instead of being pulled all around the canvas. It’s easy to feel like you need to cover the entire canvas.īut then, your subject matter gets so crowded that it’s hardly noticeable at all. And you wouldn’t be alone – so don’t feel embarrassed. You may have even been guilty of creating a painting or drawing like this. It can be overwhelming to the point where you just want to look away. The effect is that you don’t know where to look first. Your subject will stand out moreįirstly, think about whether you’ve seen any paintings that were just too busy for you to take in all the details. Here are some reasons to consider negative and positive space when creating art. It could be the difference between a bold painting and an underwhelming one. Negative space can bring many benefits to a piece of art. Without negative space, your artwork could look too busy or even overwhelming. The negative space draws the eye to the areas the artist wants you to focus on.Īnd as it’s an art fundamental, you should think about negative space whenever you’re creating art. It’s the interaction between negative and positive space that makes art interesting. It has thick dark lines, but it’s the space between these lines that make it all come together. While the person in the foreground is the positive space in this artwork.īut the negative space could also be the gaps within the art too. In this case, the sky itself would be the negative space. It could be the background in a painting, a border, or even part of the image itself.įor example, imagine a drawing of someone standing in a field silhouetted against the sky. But that term can also be misleading, as the negative space doesn’t have to be white. Negative space is the white space in any piece of artwork. And that’s where negative space comes in. But this will vary in each piece of art.īut how the artist frames the subject will make all the difference to how we see their artwork. The positive space could be a person, a tree, an action scene. It’s what the artist wants you to notice. It’s what the artist puts down on the page or canvas – the paint applied or the pencil strokes. You may also find it referred to as active or activated space. The positive space is the subject matter of any drawing or painting. What is positive space?įirst, let’s identify what positive space is in a composition. So let’s take a closer look at what the negative and positive spaces are in art. We’ve all seen it, even if we didn’t realize it at the time.Īnd like yin and yang, negative space also has an opposite: positive space. Negative art plays a huge role in art, even if it doesn’t get the credit it deserves. The Wrap Up What is Negative Space in Art?īefore diving in deeper, we first need to cover an essential question. |
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